Paul Simon released his second solo album in early 1972, having spent two years moving forward from the breakup of his partnership with Art Garfunkel. Looking back some fifty years from the release of this album you can see the template for Simon’s love of using varying styles of music gathered from all over the world. There is a sense of release from the constraints of working as a duo in this work. It is intensely personal, as is most of Simon’s writing. The album represents a crossroads for him but one that he negotiates with a fresh impetus to his writing, but most especially to his musicality. This has a feel of a great starting album from an exciting new artist, one not fully developed, but one of exceptional promise of what is to come. http://www.nealatherton.com
Category Archives: Folk Rock
Linda Ronstadt’s Emotional Performance with J D Souther on Prisoner in Disguise
J D Souther will be remember for his songwriting contributions to the Eagles. However I will always treasure his harmony and song contributions to‘Prisoner in Disguise’ my favourite Linda Ronstadt album. Every one of the ‘covers’ on here can lay claim to being better than the original. Her voice is so multi layered on this, betraying emotion so deep you feel she owns these songs, you can be persuaded that she did in fact write them. The song selection is perfection. It is of the time. That L.A., Eagles, Southern California vibe is stamped right through this with a tight, multi-talented band of Who’s Who of L.A. musicians. Because she was so admired by these contemporaries, and loved, the whole album is one of harmony and joy, it feels like they got great pleasure from the collaboration. Check out the gorgeous tender backing vocals of J D Souther on the ‘Prisoner in Disguise’ track. She chooses some beautiful songs on here.
CSNY, Joni Mitchell, The Band: Legendary Wembley Concert – Sept 14th 1974
Fifty years ago today (Sept 14th) on a glorious late summer day at London’s famous old Wembley Stadium a legendary concerts took place – CSNY, The Band, Joni Mitchell created never to be forgotton treasured moments under the iconic twin towers. I was there. There were special standout moments – Neil Young was captivating, Joni took your breath away as her voice soared around the stadium backed by the jazz tones of the L.A.Express. Please enjoy my reminiscences of a wonderful unrepeatable day – is it really fifty years ago?
Musical Reflections: Uncovering the Stories Behind My Vinyl Collection
Today, as I listen to the Bruce Springsteen ‘River’ album, I am wondering what it is that shapes our love of music and particularly a genre that we seem to stay with for life. To be fair I did come to Springsteen a little later in life although the seeds were already there for him to step into my collection. My reason for starting this journey through my past, to paraphrase Neil Young, was my father’s vinyl collection. My father died recently, and he left a vast collection of vinyl including 78’s which I suppose are technically shellac. His CD collection was even more extensive, but it was the vinyl that fascinated me.
Tracks of our Years – A BOOK of a MUSICAL JOURNEY
This is my journey back into my musical past – This is 1970s England.
Music on vinyl that opened up a world of discovery – musically and personally.
Fairport Convention – Unhalfbricking
I appreciate Liege and Lief is considered the most important album Fairport produced but Unhalfbricking is my favourite. It is difficult to imagine that there was a finer group of British musicians at this time. The whole album has moments of sheer perfection. In the case of Sandy’s immortal ‘Who Knows Where the Time Goes’ the perfection holds throughout the track.
Paul Simon – Live Rhymin’
Live ‘Rhymin’ is a largely forgotten gem in Paul Simon’s catalogue. It captures the Simon of the time beautifully, as well as giving an insight into how he must have sounded in those heady mid ’60s days touring the bleak Northern towns of England.
Joni Mitchell – Court & Spark
Blue is my favourite Joni Mitchell album and that will never change. However, I listen more often to Court & Spark. This is probably because of the musicality of the album and also it coincided with the only time I saw her perform live – at Wembley stadium in 1974. That was a never to be forgotten day when she blew all the cobwebs out of that old stadium with an exhilarating performance with Tom Scott and the L.A.Express. Please enjoy my new book of Musical Memories & bit.ly/bookneal
Sandy Denny – Sandy
Sandy Denny’s solo albums can be flawed to a degree, as is her work with Fotheringay. Sometimes it is the song choice being patchy, it can be over-blown arrangements or just too many musical influences on one album. But in all of them are absolute gems. She is THE English female vocalist of the 20th Century – I do not engage in arguments over that one. If I was encouraging someone coming new to her work, then I would certainly suggest going to a compilation of which there are several worthy ones. I don’t own a vinyl compilation so I must as I write about my collection go to my favourite solo album.
CSNY, Joni & The Band Wembley 1974
Taken from my Musical Journey published on AMAZON: England in 1974 was a country in crisis, politically and socially. Strikes, civil unrest, three-day weeks, power cuts, a decaying infrastructure, were troubling many. Saturday September 14th did not seem to be a day where any of that was noticed – at least not by me. HistoriansContinue reading “CSNY, Joni & The Band Wembley 1974”
