A Tempting Paris lunch spot St Andre Bistro restaurant

Bistro St Andre on the left bank in Paris, France. The stroll from St Michel across towards St Germain takes you down Rue St Andre and it is an interesting quarter of Paris. Enjoy some narrow side streets and covered arcades before meandering back towards the Seine. For architecture lovers there is plenty of interest and don’t forget to look up. Of course you will never go hungry here with cafes, restaurants and wine bars spilling out onto the streets.

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Bistro St Andre on the left bank. The stroll from St Michel across towards St Germain takes you down Rue St Andre and it is a very interesting quarter of Paris.

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St Paul de Vence a beautiful French perched village

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St Paul de Vence is felt by many to be the loveliest of the perched villages in the south of France. Perhaps, but I do love Bonnieux! St Paul de Vence, an attractive, compact village became a magnet for artists and art lovers in the 1920’s, when a group of impressionist painters rediscovered this sleeping neglected village. Still, today it is very much a place that thrives on its artistic connections. Please take care of your wallet, unpriced art is displayed that way for a reason, so if you afraid to ask don’t go in. Even if you are not prepared to buy there is some stunning art on display and the village itself could be considered one whole work of art.

St Paul de Vence in the South of France – the famous fountain

The photo above was taken on our last visit to the village around 2014. Recently I was watching a BBC documentary about a painting by Sir Winston Churchill of this very scene. The object of the programme was to prove the authenticity of the painting and this they achieved to about 99% satisfaction of the experts. What was interesting was that it was established for certain that Churchill did paint from this very spot and was friends with the artist owner of the studio in this square. It was fascinating to lose yourself in the history of a place you knew well and will no doubt add to the enjoyment of our next visit.

Today the village is not only home to a large artist community but a favoured place of celebrities that have homes here. You may not see any but the locals will provide some names.

The village can be exceptionally busy but we have never found it overwhelmingly so. There are plenty of places to wander away from the main street and the views from the top of the village are spectacular.

Watch out for the locals though! We took a route down a narrow lane passing behind the church and away from any shops and in a quiet passageway we came across a small boy who was playing alone quite boisterously. As we got closer to him he made his move and strangely tried to take me prisoner in his weird game and was determined that he would not let me go. Eventually I wrestled my arms free from this crazy child and headed back up to the church very much to Niamh’s amusement. We carried on safely and went past many fine shops and artisans but once again they are exceptionally overpriced despite undoubted quality.

As in most villages in the South of France you can with care eat very well but also there are one or two tourist traps to avoid. On our last visit we had a lovely baguette and fruit tart for a light lunch by the village walls. Perfect.

Artist studio in a shady quiet square in St Paul de Vence

St Paul de Vence is one of the Cote d’Azur’s most famous and beautiful treasures, and one you should definitely visit.

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A Day in……..Uphill, Somerset

Heading out from the Estuary at Uphill on a glorious January day

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UPHILL

The small village of Uphill consists of the village itself around the marina and down to the beach. Also, it spreads along the Axe Estuary from the marina where the Nature Reserves are filled with birds, wildlife, and plenty of botanical interest. This area at the southern end of Weston Super Mare is a most delightful place and you can easily, with a picnic, spend a whole day here exploring with your camera or binoculars. It reminds me of parts of Suffolk, particularly around Snape, where the skies are big, the land filled with birdsong. It is generally much quieter than Weston Super Mare, day visitors there would never be aware that such a beautiful place was just a few hundred yards from hustle and bustle of a Bank Holiday weekend.

Alt="Brean Down in the distance beyond Uphill Estuary"
Peaceful early winter morning at Uphill Estuary Somerset with Brean Down in the distance

You can usually park easily in the village before taking a stroll to the beach along the Links Road past the golf club. The fifth hole is right by the wall along the road so you can stand right behind the players as they tee off – just stay still and quiet but I imagine it does put them off. There is a green to the left so you can follow the ball inward on that hole. Just keep your head down just in case.

Alt="Uphill Estuary with a view out to Brean Down beyond the boats"
View across the estuary at Uphill Somerset looking out to Brean Down

A few yards farther on is the beach, reached as you past by an old WW2 pill box. In front of you is the attractive vista over to South Wales, with the outcrop of Brean Down just to the left. Ever changing light and the large sky make this an irresistible shot for a photographer. Even better is to be here at sunset. The sunsets I promise are as spectacular as anywhere, especially in late Summer through to winter. On most days there are windsurfers active to the right off this beach. Weston, it must be said can be rather bracing.

Although you are at sea level here the views are still extensive. Brean Down, famous recently for the filming location of Sanditon on TV, is just in front of you, a place of contrasting light. Beyond is Steep Holm Island. Beyond that to the right is Flat Holm Island. The clues are in the names and these islands have regular boat trips to them in summer to see the nature in these secluded spots. Beyond all these is Cardiff stretched out on the opposite shoreline. Cardiff can appear extremely clearly to enable you to pick out landmarks such as the Millennium Stadium with the naked eye.  

Early morning mist over the river Axe in Somerset by French travel guide book author Neal Atherton
Misty haze over the Axe Estuary at Uphill Somerset

Carrying on to the left, by the golf course you reach the Yacht Club and beyond the rather neglected jetty. It is atmospheric, however. Being here on a misty morning looking up the estuary can produce some wonderful photos. A view back towards the Bristol Channel on a sunny day will give what locals believe is just an illusion – a gorgeous blue sea. Colour is all about the light and reflections and despite the reputation for the water to be muddy, it can on the best of days be as beautiful as the Mediterranean.

Tranquillity on the estuary at Uphill Somerset January 2022

At high tides of Spring and Autumn the water will flood the plain as far as Uphill boatyard and down to the far Nature Reserve at Bleadon Levels. The land that gets the tidal flow over it is rich in wildflowers in spring and summer, especially the sea lavender and teems with birds and wildlife. We have spotted over 50 different birds on the estuary and reserve. A very beautiful place.

Path through the nature reserve at Uphill in Somerset with summer wild flowers by French travel guide book author Neal Atherton
The beautiful nature reserve at Uphill Somerset

Keeping by the estuary bank, as long as the tide or heavy rain is well past, you can follow the estuary around and back to Uphill village. It is not possible to cross the river so heading back to the village is the only route to the other side which can then allow a walk to the nature reserve a couple of miles downriver. Here there are some bird watching hides to allow views over the reed beds. Although you can hear many birds and see some of the more adventurous ones, I have to say that even with binoculars these reed birds do stay remarkably well hidden. The walk is a beautiful one however and well worth the effort.

boatyard at Uphill Somerset with the view of the church of St Nicholas on the hillside
Uphill Boatyard and Church on a beautiful Spring morning

Back in the village the path winds through the rather neglected part of the boatyard to the river that twice a day will be completely dry and silted with the outgoing tide. Following the path by the side of the lake and caravan site, which is beautifully situated, gives the option of following the riverside to the nature reserve or going left past the resident egret. Again, the trees and shrubbery around this path are an ideal spot for birdwatching.

Above on Uphill hill the Church of St Nicholas which is more medieval than Norman. The church dominates the scene around the caravan site and boatyard. It stands on top of the rockface of the old quarry of Uphill. Many days you will see climbers on the near vertical slope of the quarry. Occasionally some stray black sheep will be in almost as dangerous a position around the slopes of the quarry looking for a tasty piece of grass in an impossibly dangerous spot.

Paraglider at Uphill Somerset

The path to the church is obvious, quite steep but it is a fascinating place to visit.

Once on the summit you can climb Uphill Tower, the remnants of an old windmill. The views from here are outstanding. From overlooking Weston Super Mare beach, you can look over to South Wales and round to the tip of the North Devon Coast. Back round you can follow the hills of Exmoor, the Blackdown Hills and all the way over to Glastonbury Tor and the Mendips. From what is a relatively small hill it affords the most remarkable panorama. The markers on the top of the tower give you the landmark locations.

The church opens rarely but it can be visited during the year. Look for the stone mounting steps for the horse rider attending the services in the times of Jane Austen. The graveyard is quite a place to stroll around. If you like looking at and imagining the lives of people in times past this churchyard is an interesting one. There are a few war graves in the churchyard maintained by the CWGC. There is a family one that has on it the name of a soldier killed at the Somme on July 22nd, 1916. The relevance for me is a personal one. On that same day on the Somme an ancestor of mine was also killed. Maybe they new each other, possibly engaged in the same action.

The churchyard of St Nicholas at Uphill with the old Norman church by French Travel guide book author Neal Atherton
Ancient Church of Saint Nicholas Uphill with its fascinating graveyard

Two graves stand out. One is for two women of the same surname. The poignancy of this is that they perished in the Basle air disaster in 1973, an event I can recall. Over fifty local children of this area of Somerset were left motherless when the plane taking them on an exciting group trip crashed into the mountainside as it neared its destination. Quite a tragedy for a tight knit community, especially when most of the victims were part of similar interest groups.

Uphill church of St Nicholas and the old tower windmill looking out over the Bristol Channel by French travel guide book writer
Uphill Tower and beacon looking towards the old Norman church

The other grave is most unusual. Detective Inspector Frank Froest of Scotland Yard would seem an unusual candidate to be buried in Uphill. However, he did take up an occupation here after his service in London. What is noteworthy about him is that he was the supervising officer for the arrest aboard ship of the infamous Dr. Crippen and his mistress Ethel Le Neve when they were escaping to America. You come across some curious things pottering around these churchyards.

here at Uphill hill near the old church of St Nicholas was the location of the filming for Sanditon
View to Uphill Church Somerset – Sanditon Filming Location

Uphill is a beautiful spot. Come by all means but please not all at once as I love it too.

Please Enjoy More Days in……………………………..UK

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Normandy – First Impressions of Touring France

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Alt="Photo of cows in Normandy France"
Peaceful Trelly in the Manche region of Normandy

Normandy

Our first trip to France coincided with a change to my company car, almost to the very day. It is a long story but for a time I had been using a spare company vehicle after having, shall we say, a few misfortunes with my own allotted vehicle. Anyway, it was time to choose a brand new one and having done so, checked the delivery schedule, we looked set to make our first visit abroad in a lovely shiny new car. That was the plan anyway.

Needless to say, my car was trapped in some endless production line somewhere in Europe and information was impossible to come by. In the week coming up to our trip, I resorted in desperation to calling the transportation company scheduled to bring the car from the port to the retail garage. Finally, I got somewhere, some information that my disinterested dealer could not find. Again, to cut a long story short, the car was to arrive at the main dealer in Leeds, Yorkshire on the afternoon before we were due to travel. We had used this dealer, which was inconveniently a difficult 70-mile drive from home, because they gave the best trade in value on the unloved staff car I had been using. Sometimes you get what you pay for and clearly customer service was one of the optional extras mentioned in the small print.

However, I finally arrived home the proud owner of a beautiful new car, a travelling companion that would eventually do more than 40,000 miles around the regions of France, with just one stutter along the way. That is a story for later in the book, but it was quite a stutter. So, arriving home around 8pm we were finally all packed and ready to go, but it had been a close-run thing, especially as we had to be on our way by 2 am to drive down to Portsmouth for the early morning ferry to Cherbourg. The delay with the car meant that we could not do the sensible thing of taking an overnight stay close to the ferry port. From a purely selfish point of view, it also meant I had to put my own diesel in the car as the company supply was closed when I got back home. You remember petty things like that, particularly when you know that expense would have been better spent on another long French lunch. Such ingratitude! I am a generous soul really.

The dawn chorus was just thinking about making an appearance when we started our approach to the ferry terminal at Portsmouth. It was then that I realized why my mouth had gone so dry and my hands were shaking. I had not got the faintest idea of how to proceed to the ferry and an embarrassed fear set in. Where on earth do I go – what lane do I take? So focused had I been on the car situation that I had not even looked properly at the tickets to ascertain which operator we were travelling with. Fortunately, at this early hour the port was almost deserted, so I had time to stop, blocking a lane, assess what I was doing, and where to go. I eventually arrived at what turned out to be the correct operator booth and handed my ticket to the pleasant but sleepy young lady who was looking down on me from high above.

I had though made the mistake of going to a booth that was really for coaches and lorries, but she humoured me, and obviously there was no way I could turn round or reverse around the pantechnicon hugging the paintwork at the rear of my car. Fortunately, I could not see the driver, but I assume there was some vigorous shaking of the head going on. She asked me for the registration number of my vehicle, but she might just as well have asked me to explain the theory of relativity. I said I had just picked up the car from the dealer and implied with Northern humour subtlety as to how on earth she would expect me to know. Only one thing for it – get out and have a look at the front of the car and trust I could remember it during the few yards back to the booth. I did not raise my head to look at the driver behind who no doubt was being frustratingly delayed in getting his full English breakfast. I suppose if I had time to think rationally, I could have looked at the paperwork in the glovebox, but you just don’t think do you? The young lady gave me this complicated thing to hang on my mirror so that we would be directed to the correct ship, but I was all fingers and thumbs and never was good at DIY, so I threw it at my wife Niamh to sort out, drove off, and the bottleneck of lorries was released. I learnt an exceptionally fine lesson that morning and one that I would always follow as our travels developed in their complexity.

From that first debacle at the ferry port, I now always do my research. In the future I would always know where I was going and what I had to do when travelling. I particularly enjoy researching our plans and it saves a lot of potential embarrassment – not all, but most. I got so proficient in knowing how things worked in France that I was happy to share that with others who were making similar trips. A good friend of mine asked about how to use the toll booths on the French autoroutes. I was happy to explain to him how to hand over his euros or use his credit card to be able to proceed. On his first, and as it turned out his only car journey to France, he got to his first Autoroute toll, then blanked out completely and ended up just parking the car in front of one of the large concrete buttresses at the tolls. A gendarme eventually came over and instead of arresting him took pity on him and showed the way forward. Maybe it was the way I explained it, but I do know he has never taken his car to France again but only returned there on the Eurostar.

Once at Cherbourg I then had the perils of driving on the ‘wrong side of the road.’ I have to say I was terrified as the massive ferry doors opened to disgorge us from this cavernous space. Now after many years it is such a familiar and routine thing for me to do, but the first time was to put it mildly – a bit of a worry. My sensible plan was just to follow someone else for as long as I could. In reality, driving in France was not something I needed to be overly concerned about. Once we had escaped the port area and easily picked up the route we required, it was comforting to find that the roads were impossibly quiet compared to the UK. You had time to think and driving actually became a pleasure. Driving in France over the years always has been fun and satisfying. There is time to take in the scenery, stopping when you wish, and generally park your car freely. Touring France became one of our great pleasures in life and still is.

Our first destination on the continent was to Saint Vaast la Hougue at its delightful hotel – Hotel de France Restaurant les Fuchsias. This hotel and restaurant had and still does have a fine reputation, particularly for the food on offer. We were destined to arrive early having made good time so far on the journey and so decided to call in at the little fishing port of Barfleur on the eastern side of the Cotentin Peninsula. From there it would be just a short journey on to Saint Vaast. The early April day was bitterly cold, in fact it was close to freezing with a raw wind coming into the harbour from the east. We had expected it to be just a little milder, we were not overly prepared for such low temperatures, but I managed to persuade Niamh that the little port village – our very first experience of one of Les Plus Beaux Villages de France – was worth braving the Siberian cold. The hard granite buildings of the port made it feel and appear even colder than it was. The water in the harbour would not have sustained your life for long should you have fallen from the unprotected sea wall. Barfleur has a fascinating history. It was the starting port for the invasion of Britain and the subsequent battle of Hastings in 1066. It was also the scene of a great sea battle that finally destroyed the hopes of King James the II of England in his bid to regain his throne.

For a small settlement of this size Barfleur has played an astonishingly significant role in the history of England. Some fifty-four years after William the Conqueror set sail to claim the throne of England a great tragedy unfolded on the rocks around the port of Barfleur. It was a shipwreck – The White Ship. It was said of that devastating night that ‘No ship ever brought so much misery to England.’ The pristine new ship Blanche-Nef sank just beyond the harbour, impaled on the infamous Quillebeuf reef. It was not the loss of the ship that was so devastating to England, but the tragedy suffered by the human cargo on board, the flower of England’s up and coming youth, along with a vast array of the nobles of England. Worst of all, the heir to the throne of Henry I of England, his son Prince William, was lost in the wreck. The story is a fascinating one. It is redolent of images that could be imagined today, of youths on a rowdy night out, drinking more than is good for anyone, but stepping into a vehicle to inevitable doom. King Henry had been offered this ship for his own passage, all showroom new and modern, but he had already given his word to travel on another vessel. He left the harbour before the White Ship and arrived safely home. He allowed his excited, headstrong son to travel with his friends and entourage on this fabulous, sleek, pristine vessel, on its maiden voyage after being stunningly crafted for an owner who descended directly from the Conqueror. To have such Royal patronage was a prestigious bonus. For Prince William and his lively companions, a good night out was called for before attempting to catch up with his father travelling in his modest, slow but reliable craft. From all accounts all in the party were fully inebriated by the time they boarded the White Ship and the revelries continued on board. More importantly the crew had also been willing participants in the alcoholic generosity of Prince William. Some sober passengers wisely disembarked along with an extremely ill cousin of William, young Stephen of Blois who needed to be no more than a few paces from a bathroom, in no condition to sail. His good fortune in missing the boat comes back to haunt all England in years to come.

The riotous company on board are brought back to sobriety within minutes when the glorious White Ship is torn apart on the reef, travelling at tremendous speed on a wrong course set by the drunken captain. Prince William is initially saved on the only boat available, but, hearing the cries of his sister he orders the craft back to the sinking vessel. His small craft is overwhelmed by desperate, drowning passengers seeking safety and Prince William is swept away. His body is never found. There is only one survivor, a butcher named Bertold from Rouen. He had been pursuing debts owed to him by the nobles in Henry’s entourage, following them all the way from Rouen onto the boat before being stranded on it as it sailed out of port. The shipwreck ripped the heart out of the English nobility and caused a crisis regarding the heir to King Henry. Stephen of Blois, whose need of the toilet had saved him, ultimately takes the throne despite the rightful heir being nominated as Henry’s daughter. This sets off a vicious time of civil war in England and ferocious atrocities are carried out during this time of anarchy before Stephen finally dies. The uncertainty continued after his death and all this because of a drunken night out by headstrong youths.

Outside this infamous harbour there are still natural mussel banks in the waters off the coast, providing the bounty of the Moules de Barfleur. The mussels are harvested from small boats from the harbour at Barfleur. These particular seasonal mussels are known as ‘Barfleur blondes’ and have been allocated for some years now the quality charter ‘Moule de Barfleur Normandie Fraîcheur Mer.’ Just like French wine they have their own appellation, and this is something you will find distinguishes local produce all over France. From chickens to cheese and everything in between. The French will always put a label on quality and regional excellence. Sadly, this is not a time for contemplation of French produce or French regional architecture. It is mind numbingly cold here and made worse by the wind whipping across the undeniably attractive harbour at Barfleur.

Niamh has all the historical facts she needs from me and so we head to the sanctuary of the car. The heater and heated seats are immediately turned up to full volume. We just hope that the weather turns at least a few degrees warmer, allowing us to enjoy Normandy out in the open and not from inside the shelter of a warm car. Even in darkest Lancashire I would never expect to encounter such cold in April. We head to our hotel in Saint Vaast – Hotel de France Restaurant les Fuchsias. This is a lovely, very French hotel, not grand but homely and authentic – and yes there is an abundance of fuchsias around the building. We are shown to our room which is across a rear garden courtyard area that blooms with some hardy spring bluebells. The accommodation is quite separate from the main building which houses the restaurant, Les Fuchias. It has to be said the room is not really shabby chic, rather shabbier than chic. It is spotlessly clean though and has all we need but clearly getting to the point where a makeover is required. The view back over the garden from the first-floor room makes it feel as if you are surrounded by garden allotments. We look forward to enjoying some produce from this very local garden served in the restaurant in the evening. The view from the front of the room is onto the main street in Saint Vaast.

We will find the next morning it is a lively and popular street on a Saturday morning. Finding as many warm clothes as possible from our limited supply and despite the bitter cold, we head out into the town and port of Saint Vaast to explore our new unfamiliar surroundings. If you have read some of my other writings, you will know that I love to cook, and my favourite produce is fish and seafood. For that reason, we head to the harbour and port, an enterprise that is still commercially active. Possibly a lot of the fish is Cornish, but that is for others to argue the rights and wrongs over, as we know today that battle is still disputed over. I always find these quaysides fascinating and have great admiration for these hardy souls who risk their lives out on the ocean providing this wonderful fresh produce. It is a hard living, and the rewards are difficult and unpredictable to come by, but a port like Saint Vaast and others on the Normandy coast have a long and proud relationship with the sea. Alongside the fishing port there is a sizeable marina displaying that sailing is a serious activity here. The harbour of Saint Vaast is an extremely desirable and attractive location to moor a craft. The fishing boats docked on the quayside have their support trades including fishmongers occupying the buildings lining the quay.

Opposite these buildings, on staging pontoons stretching from the other side of the harbour, the yachts and pleasure craft are moored. Berthed on a stone jetty from the quayside, fishing boats are located, and this leads the eye to a small lighthouse at the harbour entrance. Beyond the harbour wall there is an island called Tatihou which sounds like it should be out in the Pacific Ocean. Our old friend from previous escorted travels, Vauban the architect of Louis XIV, created the Tour Vauban de la Hougue on the island. He was responsible, as he was throughout France, for strengthening port defences. At low tide you can reach the island on foot or by an amphibious vehicle. You will see the oyster beds of the prized local delicacy that grows slowly in these rich pure waters of the Contentin coast.

We extended our stroll in the numbing cold to an exposed area where there is a small chapel – La Chapelle des Marins or Chapel of the Sailors. This chapel is the choir of the old church of Saint-Vaast-la-Hougue originally built in the 11th Century. In the early 1700’s a square tower was added on the south side, embellished with a modest spire. In 1805, the parish priest added a side nave, also a chapel on the north side and had a sacristy built. Today, this chapel is dedicated to the sailors, the fishermen who are always in peril at sea. This is brought home to you by the many commemorative plaques dedicated to these men. It is a quiet reflective place that impels you to have a moment of meditation about how the produce you love can cost the ultimate price. As we make our way back to the hotel down the fishing quay we come to a small well equipped and modern fishing boat. The name seems quaint as we try to pronounce it – Cachalot (CASH – A – LOT). Oh, I get it now, CATCH – A – LOT. A little French joke on the Cornish perhaps. Mmm, very funny.

Feeling refreshed after a hot shower, but hungry, we make our way down to Les Fuchsias dining room. It is richly elegant, the tablecloths are crisp, the glasses and cutlery beautifully polished and of course some fresh flowers are on the tables. The welcome is a little stiff and formal but efficient. This is not a Michelin star restaurant, but you feel it has pretentions in that direction. Unusually at this early time of around 7pm the French clientele are already in their seats and the dining room is full. The atmosphere is still a little reserved and conversation is quiet and stilted but it does loosen up considerably as the meal progresses and the wine flows. I can only describe the clientele as a little bourgeoisie, it is a room composed of people who like fine dining, they dress appropriately. It is not that we feel underdressed as we have made quite an effort considering our poor Lancastrian peasant background but there are some expensive dresses and suits in here with a few dazzling embellishments on the ladies. This is our first taste of how the French really take going out for a meal extremely seriously. In England we tend to dress down for most things these days but that is not the case here. An evening meal in a restaurant for the French is to be savoured, you should look your best. They certainly do here.

The exquisitely dressed lady at the next table catches your eye with her beautifully tailored dress and exquisite pearl necklace. It is only after you have taken that in that you notice there is sitting on her lap the most perfectly presented small Pekinese dog. It is not the red bow in its hair that surprises you but the fact that it is there at all. This is something else we will have to get used to in France. The meal is a delight, and we accompany the beautiful fresh dish of John Dory with a fine bottle of Sancerre. The dessert course is a work of art, an unbelievably delicious one of millefeuille with the freshest of fruit accompaniment. With an Armagnac to finish, after a long day of travelling and seeing new sights we are happy to call it a day to now sleep soundly. Well, we slept soundly but only for a fixed amount of time.

My bleary-eyed look at my watch did indeed confirm that the tremendous clash of steel against steel has taken place at 5am. Hoping that it is safe to peer through the curtains I take a glance into the half-light outside. This is our first experience of a French market, and it will not be the last time we are roused from our beds when this sacred tradition of French life is enacted outside our bedroom window. I am not going to complain, and I never will as we will grow to love French markets, starting from today. The street is a hive of frantic activity and that in itself is quite unusual in France. A host of white vans are disgorging every conceivable type of fresh produce and household goods including of course that fixture on a French market – a mattress stall. There are no concessions to the sleeping inhabitants of the surrounding houses as the boisterous chatter from the stallholders combines with the noise from erecting the stalls. As early as 7am there are local customers, well-worn bag in hand, arriving at the market to be first to buy the prime produce on display. Immediately below our bedroom window is a large fruit and vegetable stall that takes up the entire width of the street.

Alt="Photo of Saturday market setting up in St Vaast Normandy"

It is a colourful display that looks like a breakfast buffet set up just for us. Looking over the rooftops down the main street of Saint Vaast you can see the full extent of this sprawling market. The air is damp and cold and rising from a section of stalls there is a blanket of steam that exaggerates just how cold the morning is. These stalls of course are hosted by the vendors of roast chicken and potatoes, a display that is an ever-present pleasure to behold and taste on a French market. We are a little behind the locals in getting to the market despite it starting just outside our hotel bedroom – I could almost have stepped out into the street. After a buffet breakfast of limited choice but constructed with quality ingredients we stroll out into the now bustling town. French markets are irresistible to us even in the intense cold of this early April morning. Sadly, we are not self-catering on this trip. Despite the superb range of produce on offer we must pass it all by and feel a little embarrassed in accepting regular samples from the enthusiastic vendors. The stalls are set up right outside the shops that permanently trade in the town and some of the stalls are selling exactly the same range of products as the shop they have built their stall in front of. Perhaps that is why this type of market is so uncommon in England. I doubt many shopkeepers back home would take a tolerant view of a competitor blocking their shop front and entrance for a few hours on a couple of days a week.

A cultural difference that we happily get used to. There is a store in Saint Vaast that certainly must be affected to a degree on market days as it sells such a wide range of goods. It is a remarkable shop to find in such a relatively small town. One of the finest stores you will find anywhere outside of Paris, La Maison Gosselin is reminiscent of Fortnum and Masons in London but not quite on such a grand scale. They are basically an épicerie selling fine foods and wine with an array packaged beautifully for a thoughtful gift for friends and family. The range of goods extends widely and eclectically into kitchenware, toys, and perfume but it is the superb range of quality edible produce that makes this such a gorgeous place to browse. It is very much like a provincial version of Harrod’s food hall. If you are lucky, you may catch sight of the vintage delivery van on the streets of Saint Vaast. It is a step back in time to see all these fine foods with the traditions of the past respected and brought right up to date. It is an unexpected find in this area of France, a store that could easily be placed centre stage on a boulevard in Paris.

Other shops on the main street of Saint Vaast also raise their game in the retail stakes, encouraged no doubt by the example of M. Gosselin. Close by is the most attractive of butchers called Villeneuve with its lovely period wooden store front. The displays are extensive with a vast range of prime cuts of meat, sourced of course as locally as possible. None of their produce is alive thankfully, although that extra fresh condition is available on the market stalls. The area is famed for the rich pastureland and the quality of the meat reflects that. Salt marsh lamb is a speciality and not to be missed if you are a meat lover when you encounter it on a restaurant menu here in Normandy. As is customary in such a boucherie as Villeneuve you will find a range of the finest charcuterie and dairy products. Another feature that every self-respecting establishment of this type would always have outside the store is a chicken rotisserie. The one here is going at full steam and packed with succulent roast chicken, the fragrant juices dripping slowly to be absorbed into the potatoes cooking below. The shop owner is determined to match the efforts of the interlopers on the market but as always on market days there are enough customers for everyone, not a single chicken will go unsold.

Normandy is famous for the bounty that it produces, the quality is as high as it has ever been. In the times of the occupation during WWII Normandy was still able to keep a supply of wonderful produce going into Paris, either by traditional methods or more commonly illegal, black-market ones. The city was thankful but reliant on the green pastures of this land for sustaining them through those appalling times. Everyone in Paris wanted to claim they had a relative in Normandy that would filter such produce into the capital and provide safe cover for illegal purchases. To balance all this fine meat-based produce available either fresh from the boucherie or pre-prepared, exquisitely packaged in M. Gosselin, there are displays of the finest fruit and vegetables to delight the most fastidious of vegetarians or vegans. I feel slightly overwhelmed to be in a small town away from any large conurbation offering a bewildering array of fine things out of all proportion to the apparent modest status of the place. The contrast with England could not be more striking. That contrast extends to the seafront where the boats have returned after a night spent on the freezing choppy waters of the channel.

We cannot resist paying another visit to the quayside to observe this scene of urgent activity. Here there is more furious work enacted to compete with the bustling town and market that we can still hear is in full flow behind the harbour. Fish of the highest and freshest of quality is being unloaded, energetically, and noisily, by these tired fishermen who are concerned with getting their catch ashore and on sale as soon as possible. All along the quay are lines of white vans ready to speed the produce away to market. No doubt some will be on a restaurant menu in Paris today, maybe even by lunchtime. One or two townsfolk have gathered to buy some fish straight off the boat from an obliging fisherman. Again, I am so jealous of their ability to be able to source such produce simply a stone’s throw from their home. I will always find a visit to a French market exhilarating and even more so if I can buy some fresh produce to cook later. Sadly, not today.

The main theme of our visit to this part of Normandy will be historical and I will come to the events of D-Day relating to the beaches in more detail when we head to the conclusion of our French tour. I love history and I am particularly intrigued by the times of the occupation of France and the events surrounding the liberation. So, with lovely markets and shops, great food and wine in the restaurants, plus all the history of this part of France, I am in my element. It is an ideal place to start our independent travels in France. Before I get too engrossed in the impact of D-Day there is one event that occurred around that day close to our base here in Saint Vaast that I must share before we move on. It took place at a small commune called Sainte-Mère-Église, located just down the coast from Saint Vaast, coming inland from Utah beach.

Sainte-Mère-Église was the first town liberated by the allies and is as good a place as any to start a tour of the places of historical D-Day significance. It also makes a valid claim to be a must visit town because of an extraordinary event that took place there during a massive allied drop of paratroopers in the early hours of that fateful day of June 6th. The brave operation was varied in its initial success, lacking coordination, with many men and units becoming widely separated. However, despite suffering significant losses the American troops finally succeeded in taking the town on the night of June 6th, 1944. The town itself though was in danger of being burnt to the ground when a dominant property in the town square caught fire. The townsfolk bravely formed a human chain to get buckets of water to the scene and eventually the fire was contained preventing much more acute damage to the town. All this was done despite the threatening gunfire from the German garrison who were ordering the people back to their homes.

Sainte-Mère-Église as you may be aware, especially if you are an American reader, owes its fame not for this dramatic battle for the town, or for being the first liberated place in France, nor indeed for the bravery of the townspeople. It owes its fame to one man, a paratrooper named John Steele who was an onlooker witnessing all the drama and firefight that took place in the town that night. In fact, he had the finest possible vantage point although he would not have seen it in that light on that night. Private John Steele, paratrooper in 82nd Airborne Division, was helplessly hanging by his parachute from the church tower high above the square. As the bullets were flying around below him and explosions from the artillery crashed all around, he could only helplessly dangle on his perch, exposed to not only the elements, but in mortal danger from any stray bullet or mortar. Like many of his comrades he had been dropped in error directly over the village. John Steele despite his incredibly dangerous position was one of the fortunate ones as the paratroopers were easy targets for the German ground troops. Many from his battalion did not survive the night.

Alt="Photo of John Steele paratrooper US army in Normandy France"

John Steele, despite being wounded in the foot, played dead by staying as still as possible for over two hours before the Germans eventually took him down, thinking they were just retrieving a body. Had he shown signs of life during the battle he would have been shot. In fact, he owed his life to two of his comrades. One had also been left hanging by his parachute some metres below him. The other had landed in front of the church and was shot by a German immediately he descended to the street. Believing the young sergeant to be dead the German turned his gun up to the other two helpless Americans. The paratrooper he had shot was not dead and summoned enough strength to draw his gun and kill the German before he could fire at the two paratroopers. It was the young man’s last act as he fell to the ground and died, having undoubtedly saved his comrades. The other man managed to cut his strings and release himself to the ground and escape, believing the motionless John Steele to be dead. John Steele having been taken into captivity still managed to escape from the Germans that night and returned to his regiment. He continued his service throughout Normandy and on into Germany, surviving the war.

When you visit the town, you will be drawn to the most dominant feature in the square, an effigy of John Steele, complete with parachute, hanging from the church. Apparently, it is on the wrong side of the building, but its position is better placed for tourists. There is an Auberge in the town named after him and an entire industry of memorabilia keeps many a local in euros. It is an extraordinary story and the bravery and courage under fire of John Steele has become legendary through the book and film ‘The Longest Day. John Steele, although able to bask in the fame of these exploits, did not have a happy life afterwards and died quite young from cancer. He also never mentioned his other two colleagues which would have rounded out the story and there is some controversy that lingers to this day about why he took all the attention, including being feted at the release of the film. Ultimately, his was the more interesting story, he was the one left in position on the church. Nobody remembers who was second, but the full story including the bravery of his comrades is being told today and we can look at it in more accurate detail now, rather than relying on the Hollywood version of events.

READ the Full story of our Tour

Jackson Browne – Late for the Sky

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Jackson Browne Late for the sky in vinyl from 1973 with white earlyChevrolet
My well used cover of Jackson Browne’s Late for the Sky 1974

Jackson Browne  –  Late for the Sky

It would be fair to say that Jackson Browne has for me brought out more feelings about life and all that it can throw at you than any other writer. He is my go-to songwriter if I want to feel better about just about anything. That may seem strange as he is to some perhaps viewed as a slightly melancholic writer. True in part, but for me no one captures the human spirit and condition better than he does. For a writer to do that from such an early age is astonishing, as shown with his mature writing of ‘These Days’, one of his first compositions.

‘Late for the Sky’, released in 1974, actually the day prior to me seeing CSNY at Wembley Stadium, a concert that opened for me by hearing ‘Take it Easy’ blasting out over the sound system as I entered the arena. That song would be my first introduction to his work. For the next couple of years my knowledge and love of his work would be hearing covers of his songs, such as Joan Baez recording ‘Fountain of Sorrow’. Of course, also, there was his association with the Eagles and visually on the ‘Desperado’ cover. It was though Jackson’s appearance on the BBC ‘Old Grey Whistle Test’ in 1976 that finally prompted me to start becoming more familiar with his work. ‘Late for the Sky’ was my first addition to my vinyl collection of his work.

It has become one of my most played and loved of albums. That is not to say it is perfect. I find the two up-tempo numbers slightly out of sync with the mood of the album. I could happily listen to a whole album of easy melancholy. Also some of his writing on here can be a little apocalyptic for some but looking back from 2024 with the state of the world you could argue he was over optimistic. Having said that it may be that when he wrote ‘Before the Deluge’ he didn’t expect there to be a 2024.

The album was low budget and completed with familiar band members and David Lindley playing anything that was thrown at him. The result is a harmonious, beautifully played collection. I have not come across another album that has such an all pervading atmosphere, constructed around Lindley’s sympathetic arrangements. The overall feel is melancholic but at the same time conveying a feeling of hope, that all will be well. Lindley’s violin is at times haunting and then softly joyous. The harmony of the musical score set around, but not intruding into, the stunning poetry of Browne’s lyrics is breath-taking. It is an album to listen to in solitude, with no other distractions.

It opens with a song that could leave you having to pull yourself together to hear the next offering. It is the title track ‘Late for the Sky’, surely the finest ‘break up’ song. He expresses the dawning realisation that they are not who they hoped to be, the pain of seeing it end being played out without words being needed or possible. The hope is still there in the mind, but they are not the ones they need, it must come to an end. They are together but alone, drifting alone for some time and close to the end. Late for that plane, but it must be caught. I can appreciate how some have said they cannot listen to this without being reduced to tears. It is an incredibly powerful piece of writing. Musically also it is perfection as distinct instruments underpin the melody and complement Browne as he comes to a realisation that the relationship is gone.

He follows this with another relationship song ‘Fountain of Sorrow’. The theme is similar to ‘Late for the Sky’ but perhaps this one has the feeling that they can still be friends. I appreciate that it is said to be about Joni Mitchell, and the last time I saw him in concert he left you in little doubt with his intro that this was the case. However, I feel the speculation is irrelevant. Like most of his writing it can be about who you want it to be and generally that is you or someone close to you. It takes a special writer to be able to draw you so into the music. When a dear friend of ours died a few years ago I used his lyric from ‘Fountain of Sorrow’ in a posting in tribute to her. Yes, at that moment it was about her, in the photo I posted there was a trace of sorrow in her eyes. It takes a special talent to write in such a way.

Rear cover of Jackson Bowne Late for the Sky vinyl album
Rear cover of Late for the Sky

‘Fountain of Sorrow’ takes you through a relationship that has a sense of joy and love but ultimately is not going to work out. The sorrow is there as the writer feels regret because there was so much to love about this relationship. It has gone but the photo in the drawer conveys the sorrow of what could have been. Can he go back. Clearly not, but the warm memories linger on.

When someone asks what is your very favourite song they would generally expect you to come up with some joyful up-tempo number – ‘Take it Easy’ for instance, although I doubt they were expecting you to reference Jackson Browne anyway. I was asked this question during a long evening of food and wine on a holiday away with several close friends. Our mellow wine induced mood should not really have produced ‘For a Dancer’ as my answer to that question, but it did, and it is true.

To explain my reasoning I found the lyrics on my phone and just asked my friend to read them. Fighting back tears she said simply – ‘OK’. A song about death is rare. Not many have attempted it. Jackson does and he gets to heart of the matter in a way that no one else has achieved. We are dancers, we go through this life affecting people in ways we do not always understand. The final dance is solo, and he conveys that in beautiful, but disturbing words. He does not give us any answers but somehow once again the melancholy gives way to hope. For a song about death, I feel positively uplifted when I hear this. Yes, go on, throw those seeds, let your life be a positive influence on others.  A remarkable song that expresses the human condition better than anyone has attempted before or since. Last time I saw Jackson in Manchester, England just a few years ago he was in a taking request mood. A man in front of us called out rather loudly: “For a Dancer”, and Jackson nodded and headed to the piano. I tapped the guy on the shoulder to say thank you. Music can be a truly special experience and that was one of the best.

Vinyl record on Asylum Records of Jackson Browne Late for the Sky album

I rather like ‘Before the Deluge’ despite its somewhat apocalyptic sentiments. Somehow though it still sounds hopeful, a tribute to the amazing atmosphere created by him and David Lindley that permeates the whole album. Looking back from our time it doesn’t seem that he called it too far from the reality we see today. I can’t help feeling we have seen the magnitude of her fury in the times we live in. He calls out the glitter and the rouge as not a worthy addition to our musical journey. I never went down that road thankfully and continued to find music I love permeated with meaning. Maybe he was right in doing so, those genres look tame now, but they opened the door to anything goes in ‘music’. Some of these genres I am convinced would leave the world a better place had they not come to birth. ‘Before the Deluge’ fits the theme and texture of the album perfectly.

I could say that I would probably have eventually bought this album for the cover alone. Surely one of the great album covers. In some ways it is a pity he didn’t call the album ‘Early Morning Chevrolet’. Would have been a great photo quiz question. The cover theme runs a thread through the whole album. If ever a cover depicted an album atmosphere it is this one.  Late for the sky indeed.

‘Late for the Sky’ sets out the stall for Jackson Browne’s future writing. The themes and indeed the musical style he will return to again and again. Check out ‘Naked Ride Home’ and compare the heart beating alone with ‘Late for the Sky’. I find he always reaches the depth of the emotion of life in clear and beautiful language. It was my introduction to his work, and it has enriched my life and record collection ever since. If you get the chance to see him live make sure you take it – he is just as, if not more, capable of reaching your heart on the concert stage. You won’t forget it.

Alt='My LP vinyl collection, Carole King, Jackson Browne. Neil Young' Joni Mitchell, Emmylou Harris, Paul Simon"
My musical loves – a Vinyl collection

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Vinyl record albums stacked together in front of a vinyl disc for a book cover

A NEW French Journey by Photography – Take a tour

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Abbesses Metro station Paris France

All the photography was taken by myself on our visits to Paris and the French regions. I hope you enjoy them and please look up my stories of our travels on Amazon.

My new book is a tour around France starting in Normandy. I hope you will come with me and be inspired to travel a similar path. I hope it will inspire you to travel to France or at least enjoy it in your imagination from home.

Paris in springtime with couples sharing moments on the banks of the Seine behind Notre Dame

Neal is an established and extensively published French Travel writer with an aim is to impart his passion for France to his readers. Neal has travelled extensively in France with his family and friends and acted as ‘tour’ guide to others over the years.
Neal lived and worked in Lancashire, England and found the joy of travel later in life after a conservative travel upbringing that stretched only as far as stopping the car falling into the sea at the English coastline.
He now lives in Somerset close to his granddaughter and family and on the wonderful South West coastline that we enjoy so much. Neal loves the English game of Cricket, which he plans to write about soon, golf, soccer and photography. He has a great love of History and that is reflected in his writing.

Photography of Porthleven Cornwall

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French travel guide books shown with a backdrop of the louvre Paris
Louvre Paris from the Tuileries Gardens

Porthleven in Cornwall is a thriving harbour town overlooking Mounts Bay. The South West coastal path goes either side of the harbour taking in some breathtaking scenery.

These photos can be seen enlarged by clicking on the photograph.

A NEW French Journey by Photography – Take a tour

Please Enjoy my Travel, Music & Ancestry Books on Amazon – FREE on Kindle Unlimited https://bit.ly/bookneal

Abbesses Metro station Paris France

All the photography was taken by myself on our visits to Paris and the French regions. I hope you enjoy them and please look up my stories of our travels on Amazon.

My new book is a tour around France starting in Normandy. I hope you will come with me and be inspired to travel a similar path. I hope it will inspire you to travel to France or at least enjoy it in your imagination from home.

Paris in springtime with couples sharing moments on the banks of the Seine behind Notre Dame

Neal is an established and extensively published French Travel writer with an aim is to impart his passion for France to his readers. Neal has travelled extensively in France with his family and friends and acted as ‘tour’ guide to others over the years.
Neal lived and worked in Lancashire, England and found the joy of travel later in life after a conservative travel upbringing that stretched only as far as stopping the car falling into the sea at the English coastline.
He now lives in Somerset close to his granddaughter and family and on the wonderful South West coastline that we enjoy so much. Neal loves the English game of Cricket, which he plans to write about soon, golf, soccer and photography. He has a great love of History and that is reflected in his writing.

One week in a Somerset Winter

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Alt="Uphill Estuary with a view out to Brean Down beyond the boats"
View across the estuary at Uphill Somerset looking out to Brean Down

February is often thought to be the bleakest month of winter, the last throes of poor weather before the onset of spring. Not so this year. After a mild and fairly damp winter we have been treated to a beautiful week or so of sunny weather that produced the most amazing sunsets over the Bristol Channel. These photos are of that week and are taken mainly at Uphill where the River Axe estuary meets the channel. Alongside these are photos taken at the National Trust property of Tyntesfield House near Bristol. WE have been treated to some gorgeous colours that were vibrant and deep culminating on the magical display at the end of the days.

As a Northerner used to bleak mid winters this has been a treat to have winter shortened as it moves into spring.

Hope you enjoy these scenes from Somerset in February 2023

Fairport Convention – History of Fairport Convention

THe family tree on the cover of the compilation vinyl album by Fairport Convention
Fairport Convention History of

Fairport Convention – History of Fairport Convention

Original attached logo for the Album

I wish I could tell you definitively how Fairport Convention became such an important part of my musical life, but I cannot explain it. No one I knew had ever heard of them let alone had an album to share with me. I suspect it was my friend Chris’s guitar playing brother who left this album lying around. I don’t think it could have been his as he was into introspective guitar playing songwriters. Maybe Sandy Denny prompted an interest. However it happened, one day this album found its way onto our shared turntable and for a time rarely left it – I bought my own copy shortly afterwards.

It was not trendy to be listening to Fairport. I should by all accounts have been captivated by all things Glam rock, the ‘glitter and the rouge’ as Jackson Browne put it, but that was not the path I followed. I suppose I must have something of a stubborn streak to have been so determined to seek out music I really like rather than following a fashion or trend. I am glad that I did.

This album enthralled me. It was like nothing I had ever come across. Particularly with the early songs featuring Sandy Denny and Ian Matthews sharing vocals. I found the atmosphere created was unique. Musical differences caused this to be a short-lived collaboration, but they had a magical quality together than was quite ethereal. ‘Book Song’ is a gorgeous example of this. Produced by Joe Boyd he extracts an amazing musical and vocal mix that is captivating.

The band seem to effortlessly switch from this tender vocal to heavy folk-rock and instrumentals. This was mind blowing and a musical style to lose yourself in. What I had not realised was that this ‘History’ was not of a single band unit but a band that over only five years appear to have had about 500 members flitting in and out of the band. The giveaway was the band family tree on the cover that was more extensive and varied than the Royal Family. What was difficult to understand was who made up this band now.

Two members of the early band would become musicians that became part of my musical make up – flowing in my DNA. Richard Thompson would supply enough sad songs to keep even me engaged, along with being in my mind at the very pinnacle of great guitarists. Then of course Sandy Denny, that singer and writer blessed with an overflow of talent and an interpretive voice that is without peer. She is the finest English female singer of the 20th Century and I refuse to discuss that further. Sandy was still alive when I heard this album but somehow her performances are haunting, and you can sense tragedy in the air. Her death a few years later touched me as much as any in my life.

The album contains “The most favourite Folk track of all time” – ‘Who knows where the time goes.’ In the notes contained in the accompanying booklet the quote is made that ‘you cannot see any world class group of musicians matching this performance.’ You cannot. It is perfect. It is a deeply sad, unsettling track, showing Sandy’s vulnerability laid bare. It became even more melancholic with her death, almost as if at the age of 19 when Sandy wrote this, she felt that life would be short, the time was passing and would be fleeting. It is Love and Loss at its most potent. The vocal by Sandy is just gorgeous and the playing by the band sublime and sympathetic, almost as if they are entranced by this song and vocal as they follow Sandy through this spiritual journey. Nothing before or since in this genre comes close to this and Sandy’s brief body of work tries to reach this high spot and she often comes close, but she peaks with this song and performance.

Alt="Inside booklet notes for Fairport Convention vinyl album History of"
A page from the accompanying booklet to this Fairport album showing Sandy Denny and her famous track

Sandy Denny dominates this early incarnation of Fairport for me, but you have to also step back at times and realise just what an amazing set of musicians these are. Two tracks that feature Sandy are in the ‘Folk rock’ idiom – ‘Matty Groves’ and ‘A Sailors Life.’ You can apply that quote about untouchable performances to these two tracks also. You feel that with these two tracks the genre comes of age – the interplay on ‘A Sailors Life’ by Dave Swarbrick on his extraordinary electric violin and the self-taught style of guitar playing from Richard Thompson reach new heights. You sense they are chasing each other around the studio to soar and weave their solos into a breath-taking sound. Sandy’s vocal fights to rise above this performance and she ultimately triumphs to leave the stage clear for Swarbrick and Thompson to battle it out to a conclusion. Swarbrick was not meant to play on this track and was somewhat unsure of this mixing of styles, but he did, and the rest is history. One other detail stands out in the mix of ‘A Sailors Life’ and that is the drumming of Martin Lamble. Now I am a great Dave Mattacks fan and his contribution to Fairport is enormous but there is something special about the early drum playing of Martin Lamble. What an incredibly sad loss he was with his untimely early death shortly after recording this track.

And then there is ‘Sloth.’ Sandy Denny is gone from the band. Is there life after her? Well yes, and this track is up there with the finest folk rock recordings. I love the comment by a critic about a moment on here being worth inventing the electric violin for. As Richard Thompson ends the line ‘She’s runaway’ Swarbrick comes in with that moment. One of the finest short solos committed to posterity. Go and listen to it – go on please. Again, this is another track that ends with dualling guitar and violin with bass and drums beating a path behind them. It ends with the band coming in with sublime vocals underpinned by Swarbrick that leave you stunned and in awe. Go back and play this again and just concentrate on Thompson’s guitar – follow that through the track and it will give you some indication of his genius.

As I write this, I am playing the album, and nothing has changed my initial view of this work – They were for that five inspired years the finest musicians on the planet. What is so amazing is how they maintained such a level of performance and interpretation with band members seemingly coming and going at will. Despite my biased leaning towards the ‘Sandy Denny period’ what is clear is that after she had gone the male band left behind somehow raised their game to a level that it is fair to say was unexpected. It makes that five-year period covered by this retrospective album a complete whole where the quality does not drop off whoever is in the band.

My first ever live concert was Fairport Convention in early 1973 at the Albert Halls, Bolton. A group of us went over the moors from Darwen on the local Ribble bus. The excitement of this I cannot put into words. The first experience of live music that would live with me forever and form a desire to see everyone I loved in music in a live setting. We went with not the greatest of expectation – we had not got a clue who was going to be in the band. Dave Mattacks had left. Richard Thompson was on his solo journey. Simon Nicol also gone. What we got was the most exciting and inspiring performance that had us reeling with joy and admiration. Wow – Dave Mattacks had come back, he was there on that drum kit. Swarb stalked the stage, cigarette in hand and one in reserve on his violin. Dave Pegg statuesque and powerful in his squire of the manor riding boots. Gerry Donohue proving a fine substitute on guitar. But the one you couldn’t take your eyes off, someone I had never heard of, was Trevor Lucas driving the band as frontman and tying them all together. Once again this line up would not be long lasting but I am certainly glad to have seen them for my first concert. I could not have asked for more – except Sandy Denny.

Going back to this event in 1973 you have to appreciate what a exciting departure from normal life this was for us young people. We had no transport – who did back then. But we needed to get home so in the interval after the support act (Bernard Wrigley – The Bolton Bullfrog) we piled into the row of public telephone boxes in the entrance to the hall to try and persuade someone to come over for us later. As we did the doors to the hall crashed open. In came Fairport, Swarb in the lead, cigarette between his lips and carrying that priceless violin. The others followed and they bustled through the crowd. We could have fainted with excitement – but did they always leave it this late. I suspect they were just finishing a pint or two in the pub around the corner and knew they could produce the magic at will.

Sandy Denny came back into the fold not long after this album but the magic had gone and this compilation pays testament to their greatness that could have continued but musical differences and conflicts finally took their toll on the quality. By all means enjoy the later works, Fairport will always have merit, making a niche market that has endured to this day. But, this showcases what was and indeed what could have been had there been ongoing stability. Then again, we would not have had Richard Thompson in his solo pomp.

Can’t have everything.

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Vinyl record albums stacked together in front of a vinyl disc for a book cover